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Something of a musical chameleon, Johnny Gregory was one of England's most versatile arrangers and conductors of the space age pop era. At various times in various settings, he recorded as Johnny Gregory, Nino Ricci, Chaquito, and the Cascading Strings, and with each identity he took on a whole new musical style.
Gregory got an early start at the feet of his father, Frank Gregori, who led a dance band at a popular Quaglino's, a popular Italian restaurant in London in the 1930s and 1940s. Beginning in the late 1940s, he began working on his own, both as an arranger and as a performer, and eventually became something of a house arranger for Philips UK. He wrote numerous arrangements for vocalists, and, over the next twenty years, accompanied singers ranging from Matt Munro and Anthony Newley to Connie Francis, Cleo Laine, and Nana Mouskouri.
When 101 Strings, the Living Strings, and other easy listening string groups became commercial successes, Philips turned to Gregory, who learned the violin as his first instrument, for help. Gregory's "Cascading Strings" gave their U.S. counterparts a run for the money on the U.K. market, and outsold them by a wide margin in several lucrative international markets such as Japan. He later reprised his talent for strings with the popular (in the U.K., at least) Moods Orchestral series.
Not long after that, perhaps inspired by Herb Alpert and the Tijuana Brass and the Baja Marimba Band, Philips transformed Gregory into "Chaquito," a wild and crazy Latin bandleader. The Chaquito albums are very good, in fact, much better than the majority of the Ti-Wannabes
In between all this, Gregory also recorded under his own name, usually showing off the full gamut of his talents. On Melodies of Japan, for example, he adapts Japanese folk melodies to styles ranging from lush strings to rocking bass-guitar-driven pop to moody cool lounge ala Martin Denny or Arthur Lyman.
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