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There's almost no trace left of Lew Davies except for his arrangements on the "Persuasive Percussion" series and most of the rest of Command's records. Enoch Light certainly contributed the inspiration and technical genius behind the Command style, but Davies, not Light, receives the arranger credit on the majority of Command's releases.
Davies attended the Cincinnati Conservatory of Music and later studied composition with the noted teacher, Tibor Serly. He began arranging for dance bands in 1928 and worked in radio as well. He was hired by Enoch Light in the late 1950s and soon became Light's primary arranger. Many of the early Command releases include one or two original compositions by Davies, and the label released five albums under his own name. He also snuck in one album for Columbia, but is only credited in passing in the liner notes.
Although he primarily collaborated with Light, Davies did occasional arrangements for Lawrence Welk, Perry Como, and Lena Horne. Davies' arrangements hit a nice balance between showing off stereo effects and creating a genuine musical mood, and are among the more listenable recordings from the stereo showcase period.
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